Shakespeare and the Limits of Genre
Warning! Some or all of the content in this article has been imported automatically.
Please correct any factual or formatting errors, and then remove this notice.
Please correct any factual or formatting errors, and then remove this notice.
To remove this notice, delete the line {{warning-importeddata}} from the top of the article.
Contents |
[edit] Description from course catalog
- An exploration of Shakespeare's experiments with the idea of genre, considered in both thematic and formal terms. We will study seven plays in depth, concentrating on the so-called problem comedies and late romances, probably Twelfth Night, Much Ado About Nothing, The Merchant of Venice, Measure for Measure, All's Well That Ends Well, Cymbeline, and The Winter's Tale. Attention will be paid to the plays both as literature and as texts for performance. Nature of Text. British, Pre-1700.
[edit] Prerequisites / Notes
- Prerequisite: For complete prerequisites, please refer to the English Program section titled "Introductory Gateway Courses."
[edit] Opinions
No opinions yet! Add yours by clicking the "Edit" link to the right.
